Commedia Essentials
Tony Kishawi has distilled the basic essentials for teaching Commedia within a limited rehearsal or school unit timetable. This course will take you through exercises and improvisations that will get results for a small theatre ensemble to grasp the spirit of Commedia del’Arte. Tony is teachings is based on good audience interaction which is the heart of Commedia del’Arte performance.
Course Curriculum
| Module One | |||
| Finding the Spirit of the Mask | 00:00:00 | ||
| Finding the Spirit of the Mask is the first essential ingredient for initiation into Mask work. | |||
| What is the meaning of the term ‘Spirit of the mask’? | 10, 00:00 | ||
| Traditional Moves | 00:00:00 | ||
| The Traditional Moves And Why They Are There (Creating a common movement palette that is the foundation for successful physical improvisation/games) | |||
| The Voice Lesson | 00:00:00 | ||
| Finding A Voice For Your Mask (Allow the voice to come from the inspiration of discovering the mask) | |||
| The Lineup | 00:15:00 | ||
| The Traditional Moves putting it al togerther (Creating a common movement palette that is the foundation for successful physical improvisation/games) | |||
| Module Two | |||
| High-Status Characters | 00:10:00 | ||
| High-Status Maskless Characters (How to find the high-status actors in your class, not everyone likes mask work) | |||
| Pantalone | 00:00:00 | ||
| Il Doctore’ | 00:15:00 | ||
| The Doctor usually wears an academic graduation cloak with the square flat hat and tassel. The mask is quite particular consisting of simply the nose and forehead. | |||
| Il Capitanio | 00:20:00 | ||
| The stance of the Captain is not like the servants at all because he is very upright with straight legs. He struts around like a Shakespearian actor always trying to have the right leg upstage so that the other leg is open towards his audience and taking the audience in with one arm stretched. | |||
| Tartaglia | 00:15:00 | ||
| Tataglia is another high-status character that is very old like Pantalone. It is said they have been good friends for a very long time, but Tataglia has a public servant type of mentality. He is often given roles as such in scenarios. | |||
| Module Three | |||
| The Maskless Characters | 00:00:00 | ||
| Colinbina | 00:00:00 | ||
| Cavalier | 00:00:00 | ||
| La Donna | 00:00:00 | ||
| The Lovers | 00:00:00 | ||
| Pedrolino | 00:00:00 | ||
| Module Four | |||
| Master / Servant (Casting insights) | 00:00:00 | ||
| How to create a Classic Commedia Skit | 00:00:00 | ||
| Creating something out of nothing! | 10, 00:00 | ||
| Module Five | |||
| The Skeleton Structure | 00:00:00 | ||
| Creating something out of nothing! | 10, 00:00 | ||
| Play back with an outside eye | 00:00:00 | ||
| Final Presentation with an Audience | 00:00:00 | ||
| FAQ's that your students might ask you | |||
| Why just seven main characters? | 00:00:00 | ||
| Why are we doing 16th Century stuff? | 00:00:00 | ||
| Why teach Commedia? | 00:00:00 | ||
| Why is Commedia good for high school drama students? | 00:00:00 | ||
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